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Paint should not be applied to a concrete basement floor until the concrete has aged for at least a year. The floor should be dry when painted, the best time for application being during the winter or early spring (assuming there is some heating apparatus in the basement), when the humidity in the basement is low. In general, three coats of paint are required on an unpainted floor, and the first coat should be thin to secure good penetration. After the paint is dry, it should be protected with a coat of floor wax.
Step three: go online and study the basics of shadow and light. It's a visual thing, and too complicated to talk about here. But once you see it, it'll come to you quickly. Simply Google "shadow and light in painting" and the basics will come up. Once you know these rules, you can apply it to any shape, any form, any painting. And it'll make you keenly aware of shadow and light on virtually any object on earth. It's what makes a painting three- dimensional and expensive looking. You can also buy art books on shadow and light at any bookstore. But make sure you sit down for a couple of hours and study it. It will come quickly to you, I promise.
Colors that are equally removed from a reference color are triadic colors. Since these color schemes can become too intense, unless they are very toned down, they are very problematic to manage. This color combination works well in a child's room, and it can be used effectively in a kitchen.
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With the new outside rollers, you can paint an average-size house in a couple of days. Add an extension handle and you can roll a terrace without stooping down, reach a roof without leaving the ground.
Now take a look at the form of the canvas - you might take it for granted, but it does influence the subconscious feeling you get when enjoying a piece of art. Round and oval canvases produce the impression of serenity and completeness, they are often picked for feminine, soft portraits, like Ingre's "Turkish bath". Rectangular paintings - vertical or horizontal - are more complicated. While widely used in landscapes, the horizontal format may serve to diminish the figure portrayed, impose or convey some limits, as you can see in Vrubel's "Demon". Vertical format ensures monumentality and steadiness.
After him, Jehangir encouraged artists to paint portraits and durbar scenes. His most talented portrait painters were Abul Hasan and Bishan Das. Shah Jahan (1627-1658) continued the patronage of painting. Some of the famous artists of the period were Mohammad Faqirullah Khan, Mir Hashim, Muhammad Nadir, Bichitr, Chitarman, Anupchhatar, Manohar and Honhar. Aurangzeb had no taste for fine arts. Due to lack of patronage artists migrated to Hyderabad in the Deccan and to the Hindu states of Rajasthan in search of new patrons.
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