Masonry Walls and Ceilings. Interior masonry walls and ceilings above grade may, in general, be painted in much the same manner as plaster surfaces. Here again, it is necessary to allow adequate time for the masonry to dry before applying paint and, in addition, attention should be given to the preparation of the surface. When decorating a wall containing Portland cement (concrete, for example), it is essential to take precautions against the attack of alkali. For this purpose, alkali-resistant primers such as rubber-base paints may be used when oil paints are to follow. Don't ask friends to help you paint. Basically, you are asking them to give up their day off to save you money. You don't want to be first on the list when your painting buddy hits you up to help him move do you? Feel free to email me if you have questions at the email addresses below. But most important, you'll find that with each painting you'll get better and better. Carry forward everything you learn from each work and eventually you'll have real talent! But only if you keep at it. And don't worry about people telling you you're crazy. They told that to van Gogh too! Sweet justice Vincent, sweet justice. He's certainly getting the last laugh, isn't he? And the world will know who Vincent van Gogh was for the rest of time. Not a bad gig.
The first step is to cover the surface with a coat of paint, using your regular paint brush, or spray, or roller. Then, while the surface is still wet, take the dry stipple brush and energetically with short strokes drive the ends or the bristles into the wet paint. Be sure not to brush across. The result will be clusters of dots. Every few minutes wipe the brush with a cloth, to keep the bristle ends clean and dry. On the other hand, a color chosen one or more shades lighter than your existing color will be more damaging because of the use of a lifting agent involved. You see, when going lighter with your hair color, there is always a lifting process used to make your natural color many shades lighter. Such as your hair stylist determines, to have the proper out come of the final hair color. The color desired is actually being deposited in the last fifteen to thirty five minutes of the process, depending on the color line being used. Thus, the hair can become a bit dryer from the lighter hair coloring process. We have color care shampoos and conditioners to solve the drying affect of the hair color. The result, beautiful hair. THE BACKROUND. Collect information on the artist and the historical background. To analyze "Guernica" by Picasso, you need to know that Guernica is a town demolished by the Nazi, and you have to read up on the essential features of cubism. To interpret the image of kissing people covered by a piece of cloth in Magritt's "The Lovers", whatever you guess by looking at the painting falls flat once you know that the artist's mother got drowned in the river, and when found, a piece of cloth was wrapped around her head. So, don't rely on your skills and taste too much, there are things you need to KNOW before you start making assumptions. The historical background of the paintings itself is important. Was the artist an innovator, did he start a new trend or movement, whose steps did he/she follow? What experiments was he involved with? How was the painting perceived by the contemporaries? Claude Monet started impressionism with the painting "Sunrise. Impressions". Malevych started suprematism as a development on abstractionism, laying out the new artistic theory of the color, the form and the composition of the painting. The rough lines and raw colors in the fauvist paintings may be traced back to Van Gogh. Do you think there is something new suggested in the painting you are looking at, or is there anything at all distinguishing about it? One-coat flat paints are organic-solvent-thinned paints intended to accomplish priming, sealing, and finish coating in one operation. They are often sold in thin paste form so that additional inexpensive thinner may be added and mixed before application to increase the volume of paint by one-fourth or more.