The term paint is used to include paints, varnishes, enamels, shellacs, lacquers, and stains. • Paints are composed of mineral pigments, organic vehicles, and a variety of thinners all combined. • Varnishes are resins dissolved in organic thinners. • Enamels are pigmented varnishes. • Shellac is lac gum dissolved in alcohol. • Lacquers may be both pigmented or clear - the liquid portion usually is treated nitrocellulose dissolve in thinners. • Stains may be pigmented oil or a penetrating type. Many of these materials, such as paints, varnishes, and lacquers, are formulated for specific purposes: • Outside house paints and exterior varnishes are intended to give good service when exposed to weathering • Interior wall paints are formulated to give excellent coverage and good wash-ability. • Floor enamels are made to withstand abrasion. • Lacquers are formulated for rapid drying. • There are also formulas which provide extra self-cleaning, fume- resisting, waterproofing, hardening, flexibility, mildew-resisting, resistance to fading, and breathing qualities.
Themes of Miniature Art Paintings. After the Mughal reign, which lasted 200 years, by the second part of the 18th century, the Rajput Maharajahs became independent. They employed these highly skilled artists to replace their own artisans, leading to a sort of painting renaissance in northern India. The whole of Rajasthan divided into numerous princely states, patronized miniature art painting. These states had evolved a characteristic style of their own.The paintings of this era have their own unique style, being influenced by the surroundings- the deserts, lakes, hills and valleys, as the case may.Colorful glimpses of history are provided by these paintings depicting hunting and court scenes, festivals, processions, animal and bird life, and scenes from the Raagmala and Raaslila -- Lord Krishna´s life story. Also, courtly lavishness and prosperity have been displayed.
Jaipur School: Gods and goddesses, kings and durbars are very attractively painted on hand made papers by the artists.
Step three: go online and study the basics of shadow and light. It's a visual thing, and too complicated to talk about here. But once you see it, it'll come to you quickly. Simply Google "shadow and light in painting" and the basics will come up. Once you know these rules, you can apply it to any shape, any form, any painting. And it'll make you keenly aware of shadow and light on virtually any object on earth. It's what makes a painting three- dimensional and expensive looking. You can also buy art books on shadow and light at any bookstore. But make sure you sit down for a couple of hours and study it. It will come quickly to you, I promise.
When you plan with split complementary colors, you begin with a single reference color. Next, choose a color from either edge of the complementary color and use it. While the complementary color scheme is a little more obvious, this scheme can fail totally if you just use paler versions of your warm colors. By the same token, picking a a warm undertone for the main contrasting color and combining it with two cool tones will showcase the warm tone.
For stippling you need a special brush; get one that is flat, and has short, stiff bristles.
If you are an Autumn (Deep and Warm), your colors are as crisp and colorful as October leaves and have orange and gold undertones. Autumn women look amazing in terracotta and rust colors. But should avoid wearing colors in pastel shades such as pink, gray and sage. The best colors, when it comes to accessories are in the shades of gold, bronze, copper, amber, and jade.