The paints may be applied by brush or spray; the small spray attachment for vacuum cleaners is very convenient, especially for painting radiators. The term paint is used to include paints, varnishes, enamels, shellacs, lacquers, and stains. • Paints are composed of mineral pigments, organic vehicles, and a variety of thinners all combined. • Varnishes are resins dissolved in organic thinners. • Enamels are pigmented varnishes. • Shellac is lac gum dissolved in alcohol. • Lacquers may be both pigmented or clear - the liquid portion usually is treated nitrocellulose dissolve in thinners. • Stains may be pigmented oil or a penetrating type. Many of these materials, such as paints, varnishes, and lacquers, are formulated for specific purposes: • Outside house paints and exterior varnishes are intended to give good service when exposed to weathering • Interior wall paints are formulated to give excellent coverage and good wash-ability. • Floor enamels are made to withstand abrasion. • Lacquers are formulated for rapid drying. • There are also formulas which provide extra self-cleaning, fume- resisting, waterproofing, hardening, flexibility, mildew-resisting, resistance to fading, and breathing qualities. Themes of Miniature Art Paintings. After the Mughal reign, which lasted 200 years, by the second part of the 18th century, the Rajput Maharajahs became independent. They employed these highly skilled artists to replace their own artisans, leading to a sort of painting renaissance in northern India. The whole of Rajasthan divided into numerous princely states, patronized miniature art painting. These states had evolved a characteristic style of their own.The paintings of this era have their own unique style, being influenced by the surroundings- the deserts, lakes, hills and valleys, as the case may.Colorful glimpses of history are provided by these paintings depicting hunting and court scenes, festivals, processions, animal and bird life, and scenes from the Raagmala and Raaslila -- Lord Krishna´s life story. Also, courtly lavishness and prosperity have been displayed.
Don't ask friends to help you paint. Basically, you are asking them to give up their day off to save you money. You don't want to be first on the list when your painting buddy hits you up to help him move do you? First consider the size of the painting. The more impressive the subject, the higher the emotions it appeals to, the bigger it is. Religious, mythological paintings are often huge - their massive energy makes you shiver. It is pretty understandable with figurative paintings like Rafael's "The Sistine Madonna", and more subtle with color field paintings of Mark Rothko. People are often overwhelmed with religious tremor in the presence of his artwork, and the size factors in. Also, the subject often calls for larger canvases - battle scenes need space and cannot be fitted into a smaller painting, while some subjects will get lost unless depicted in a smaller size. Take your time there is no rush. There is nothing wrong with having your project take a couple of weeks. Step four: the key to a finished looking painting is to build it just like a house...and by that I mean layers. Paint it in the reverse order in which the eye sees it to make it three-dimensional. By this I mean paint what's farthest from the eye first, and build layer upon layer towards the eye. In other words, do the background first because it should be the farthest from the eye, then add the objects on top of that, and then add the shadows to complete the look. Ultimately it's common sense. If you paint a bowl of fruit, the bowl and fruit need to sit on top of that background, much as it would in real life.