Themes of Miniature Art Paintings. After the Mughal reign, which lasted 200 years, by the second part of the 18th century, the Rajput Maharajahs became independent. They employed these highly skilled artists to replace their own artisans, leading to a sort of painting renaissance in northern India. The whole of Rajasthan divided into numerous princely states, patronized miniature art painting. These states had evolved a characteristic style of their own.The paintings of this era have their own unique style, being influenced by the surroundings- the deserts, lakes, hills and valleys, as the case may.Colorful glimpses of history are provided by these paintings depicting hunting and court scenes, festivals, processions, animal and bird life, and scenes from the Raagmala and Raaslila -- Lord Krishna´s life story. Also, courtly lavishness and prosperity have been displayed. Complementary colors are opposites, and if you look at a color wheel, they are directly across from each other. While complementary ones may seem kind of mysterious to a novice, you just have to bring to mind Christmas to find a great example that is familiar to everyone, red and green.By simply making these colors a little paler, you can make this color palette work really well. Color tones are important, because rust and moss, while still being red and green, do not scream 'Christmas'. If your choice of tones is bold, you will create an eye popping design. However, it is common to get off course. We are living in a highly pressurised and competitive world. There are more people chasing fewer jobs and in order to compete and survive in this world our children need to be as highly educated as possible. This has led parents to pressurise play-schools and nursery schools to begin teaching children reading, writing and arithmetic in the hope that they will be better prepared for formal schooling when they enter grade 1.
Knock down texture is basically a orange peel that is sprayed on and allowed to "set-up" for a minute or two then gently "knocked down" by running a 6" drywall knife over it, "knocking down" the surface of the texture. Although knock down is a flattened version of orange peel, I suggest you do not use a spray can of orange peel, the knock down comes in its own spray can and the results are much better, again experiment before spraying it on the wall. However, If ever you apply any of the textures to the wall and are not satisfied with the results, wash the texture off immediately before it dries, then allow the wall to dry and try it again. Once you have the texture applied to your liking and you have allowed it to dry, you may want to paint the patches a couple of time before painting the entire wall, especially for walls where the paint to be applied will have some sheen. Multiple coats on these areas will make them blend in, unnoticeable, with the rest of the wall. You will know if the patches need more coats of paint, because the patch/texture will have absorbed the paint causing the spot to look duller than the rest of the existing wall. In symbolism you do need to look for the hidden meaning, and it's absolutely pointless in pop art, op art, art nouveau or hyperrealism. Each style and genre sets forth its requirements, so brush up on the movement the artist belongs to before you proceed. For stippling you need a special brush; get one that is flat, and has short, stiff bristles. Usually on exposed air ducts of galvanized metal a primer coat of zinc dust-zinc oxide paint is used, before the finish coat is applied.