Hiding power comes from the paint's pigment and is affected by the manner and thickness of the application. Color retention is the ability to maintain its original color during exposure to sunlight, etc. Chalking resistance prevents the white chalky powder from forming on the surface and lightening the color of the paint. Chalking occur over a period of time. Blister resistance keeps excessive moisture from coming through the substrate and affecting the paint layer. Tip: if paint is applied over a damp or wet surface, blistering is imminent. The most challenging question and statement a stylist or colorist can receive is: Can you correct this hair color I applied at home? It looks terrible! I personally love doing corrective hair coloring. A lot of hair stylist do not like this area of our field. Be sure your stylist has plenty of experience in this area of hair coloring if you need this service rendered. I really won't go too in depth here about corrective hair coloring, accept that, usually a botched at home color can be corrected with the following: Time at the salon for the correction. Money, as this service can be expensive. Cooperation with, and trust in, the hair stylist's or hair colorist's judgment. Cold water paints of the casein type may be applied either directly to a plastered surface, or the surface may be first given a coat of primer-sealer to equalize uneven suction effects. The same is true of resin-emulsion paints, with the recommendations of the manufacturer of the product being given preference in case of doubt. Since resin-emulsion paints usually contain some oil in the binder, they should ordinarily be applied only to plaster which has dried thoroughly.
If paints have been allowed to stand and hard lumps or skin have formed, the skin or scum should be removed, after which the paint can be stirred and strained through screen wire or through one or two thicknesses of cheesecloth. The purpose of this article is to take the mystery out of the process of painting. This article is only written to get you started. I'll write more detailed techniques later. But this article will set you on your way to experimenting and having fun with paint. Ultimately it's like anything in this world. Before you have the knowledge, it's complicated. But once you have it, it's easy! Knowledge is power, and this phenomenon definitely applies to painting. The technical aspects are the easy part. Anyone can do it. You ultimately could be as capable as Monet with practice. We humans can do whatever we decide to do! Deciding WHAT to paint is the hard part. It takes discipline and a singularly focused desire to create one painting after another. For whatever reason, I loved it the minute I started. And I never looked back. I love it today as much as I did over 16 years ago. I never have "writer's block" either as to what to paint. I just paint from my experiences in life. So don't think too hard on it. Paint that apple sitting on the table, or paint the tree in your own back yard, paint your girlfriend in an unusual way. But paint something that means something to you, that's all that matters. Make it funky, make it interesting. If it's abstract, remember that abstract art has long been the most desirable. It's an expression of the individual, make it unique. For those who want realism, take a picture. What's amazing is that once you do it, you realize it's the ultimate escape into happiness. Suddenly you forget your problems for that period of time. You have control, and no one can take it away from you once you are skilled at painting. The process is addicting. But like anything, you must START! And once you do, look out....you'll be hooked. Specialist paints also include some exciting new finishes, such as suede effects, metallics and high-sheen lacquers. Judy Smith, colour consultant at Crown, suggests an accent wall in one of these to lift a neutral scheme. Crown's Feature Wall range, which includes eight metallic finishes, nine bright colours and a highly reflective Pure Brilliant White, comes in convenient 1.25 litre tins. However, if you put a coat of pure white primer (which has a score of 0) on top of the brown color wall first, this immediately brings your luminosity score down to 4 (8 + 0 = 8/2 = 4, the average). This means you may only need one coat of yellow paint to give you the right hue and saturation. In reality of course, you will always want to do at least 2 coats. But even with a total of 3 coats (primer and paint) you are way ahead of the paint-only option.