Also, when checking the paint, be realistic and don't ignore areas just for the sake of convenience. It will cost you more in time and money later. Typically if one area of the paint is cracked or peeling, then the paint on the entire car is suspect. Maybe the rest of the car just hasn't quite reached that point of decay, but it will shortly. So if you only fix areas that look bad, you'll likely find that you wasted a paint job when the other areas start to crack or peel in a year or two. Step three: go online and study the basics of shadow and light. It's a visual thing, and too complicated to talk about here. But once you see it, it'll come to you quickly. Simply Google "shadow and light in painting" and the basics will come up. Once you know these rules, you can apply it to any shape, any form, any painting. And it'll make you keenly aware of shadow and light on virtually any object on earth. It's what makes a painting three- dimensional and expensive looking. You can also buy art books on shadow and light at any bookstore. But make sure you sit down for a couple of hours and study it. It will come quickly to you, I promise. Some manufacturers recommend their vinyl paints for interior as well as exterior use; others say no, not so good. There are vinyls made specifically for interiors.
To balance, you must grasp the interconnectedness of color schemes. All these interactions are defined in the color wheel, and it has been used to build color schemes for centuries. * To design a look with analogous colors, you can have any three colors next to each other on the color wheel. Successfully combining these colors in a room is one of the easiest, next to using monochromatic colors. In general you will want your design to use similar tones throughout the room except in the case of accent colors, which may be bolder. WOODWORK. · Check woodwork for damage. if there is one, patch it with a wood filler, dry it overnight and sand it for any rough spots and apply a sealer before painting. · If you'll be using the same paint on the walls and woodwork, paint the woodwork as you come to it. If it is another color of higher in gloss, wait until the walls are done. · Paint double-hung windows from the wood between the panes then outward. On casement windows, us the same technique, but keep the windows slightly open until the paint dries. · For panel doors, paint the decorative molded edges first, then the individual panels. Paint from the center out. When the panels are completed, paint the vertical and horizontal flat panels. · Use a painter's tape or painter's shield to keep paint off windowpanes. Do not use a masking tape or a duct tape. Using a painter's tape or painter's shield allows you to keep areas covered for up to 3 days. · Paint the top edge baseboards first, then the bottom along the floor. Paint the middle section last. · Remove cabinet doors and drawers and paint the flat surfaces first. Paint inside the edges, then move to the outer surfaces. Sun Dogs in the Skies Above Stockholm. Vdersolstavlan, translated as The Sun Dog Painting, was produced in 1535 at the behest of King Gustav Vasa of Sweden. Though not what you'd call a traditional dog painting, this timeless masterpiece is regarded as the first depiction of the atmospheric phenomenon known as sun dogs, a condition that was considered by the people of the time to be a sign from above. King Gustav conscripted the painting to prove that an occurrence of sun dogs on April 20 of that year was not a cherubic response to his switch from Catholicism to the Protestant faith, but the painting was so powerful it actually seemed to the superstitious people of the time that the event was a divine manifestation. The controversy and subsequent persecution of the artists, Chancellor Olaus Petri and clergyman Laurentius Andreae, made the painting a highly sought after piece of artwork. It is also the oldest depiction of Stockholm itself. The original has been lost, but a copy from the 1630s can still be seen at Storkyrkan Church in Stockholm.