If you want to balance color all around your current design, you need to have a comprehensive grasp on your existing color scheme. Next, determine the number of accessories required to make balance. Assume that your bedroom is using a split complementary color scheme. Olive green walls are a key part of this color scheme. You have located the primary complementary tone. As you ponder the components of your room, you will notice that the rust-red carpet offers a complementary color. The rug is a couple of shades darker than the shams and bedspread. Balancing a color palette with mauve can be done by using the color in throw pillows. Add unique wall plaques on the wall that include mauve elements along with the other colors. A mauve matte is an appropriate complement for a collection of watercolors. Selecting mauve in the lamp shades gives a great way to incorporate them into this bedroom. You can use a solitary element in your room's design to connect all of your items to each other like a window treatment. OK, let's get started. Step one...supplies. You need a flat brush, a fan, a small detail brush and a couple of Filberts. A filbert is a rounded edge brush that lets you maneuver the paint easily without going outside the edges. Ultimately buy brushes that you like though, and make them work. Fans allow you to blend, for example. I use fans a lot and it's how I graduate color throughout my images. Everything I paint is by hand....no airbrushing or assistants. I want it to be an expression of me and nobody else. You also need an oil painting medium to mix with the oil paint to make it more fluid, and to speed or slow the drying process. Whichever you prefer. Go to the art store and don't be afraid to ask for help....they'll love helping you! A medium is merely an additive liquid which increases gloss, makes it flow easily, preserves the finish over time, keeps it from yellowing. I personally love Galkyd and Galkyd Lite. If that isn't available, buy a medium that looks like liquid amber and is kind of thick. Don't buy watery looking mediums....too hard to work with. Themes of Miniature Art Paintings. After the Mughal reign, which lasted 200 years, by the second part of the 18th century, the Rajput Maharajahs became independent. They employed these highly skilled artists to replace their own artisans, leading to a sort of painting renaissance in northern India. The whole of Rajasthan divided into numerous princely states, patronized miniature art painting. These states had evolved a characteristic style of their own.The paintings of this era have their own unique style, being influenced by the surroundings- the deserts, lakes, hills and valleys, as the case may.Colorful glimpses of history are provided by these paintings depicting hunting and court scenes, festivals, processions, animal and bird life, and scenes from the Raagmala and Raaslila -- Lord Krishna´s life story. Also, courtly lavishness and prosperity have been displayed.
"Boxing" is a good method of mixing paints. Since paint is a mixture of solids and liquids, it is important that it be mixed thoroughly before using. To do this, the greater portion of the liquid contents of the can should be poured in a clean bucket somewhat larger than the paint can. Then, with a stiff paddle, the settled pigment in the original container should be loosened and any lumps broken up. After this, mix the material in the container thoroughly, using a figure 8 motion, and follow with a lifting and beating motion. Continue stirring the mixture vigorously while slowly adding the liquid that was previously poured off the top. Complete the mixing by pouring the paint back and forth from one container to the other several times until the entire amount is of uniform consistency. Knock down texture is basically a orange peel that is sprayed on and allowed to "set-up" for a minute or two then gently "knocked down" by running a 6" drywall knife over it, "knocking down" the surface of the texture. Although knock down is a flattened version of orange peel, I suggest you do not use a spray can of orange peel, the knock down comes in its own spray can and the results are much better, again experiment before spraying it on the wall. However, If ever you apply any of the textures to the wall and are not satisfied with the results, wash the texture off immediately before it dries, then allow the wall to dry and try it again. Once you have the texture applied to your liking and you have allowed it to dry, you may want to paint the patches a couple of time before painting the entire wall, especially for walls where the paint to be applied will have some sheen. Multiple coats on these areas will make them blend in, unnoticeable, with the rest of the wall. You will know if the patches need more coats of paint, because the patch/texture will have absorbed the paint causing the spot to look duller than the rest of the existing wall. Specialist paints also include some exciting new finishes, such as suede effects, metallics and high-sheen lacquers. Judy Smith, colour consultant at Crown, suggests an accent wall in one of these to lift a neutral scheme. Crown's Feature Wall range, which includes eight metallic finishes, nine bright colours and a highly reflective Pure Brilliant White, comes in convenient 1.25 litre tins. At a minimum you want to remove all the chrome from the car. Take off both front and rear bumpers. If your Mustang has bumperettes that are body color be sure to bring them along so they can get sprayed at the same time as the rest of the car. Remove all rocker, hood and trunk molding. Same for wheel well molding and all emblems. This would be a good time to order some new emblems and attachment hardware. Also spend some time cleaning up all the chrome with #0000 steel wool. Nothing looks worse on a fresh paint job then faded emblems and corroded, cloudy chrome.