Throughout most of the character’s publication history, Iron Man has been a founding member of the superhero team the Avengers and has been featured in several incarnations of his own various comic book series. Iron Man has been adapted for several animated TV shows and films. The Marvel Cinematic Universe character was portrayed by Robert Downey Jr. in the Marvel Cinematic Universe films Iron Man (2008), The Incredible Hulk (2008) in a cameo, Iron Man 2 (2010), The Avengers (2012), Iron Man 3 (2013), Avengers: Age of Ultron (2015), Captain America: Civil War (2016), Spider-Man: Homecoming (2017), Avengers: Infinity War (2018), Avengers: Endgame (2019), Spider-Man: Far From Home (2019) in archive footage, and will reprise his role in Black Widow (2020).
Basically what you're looking for is a good, solid foundation of existing paint that is stable and still strongly bonded to the car. Many times an original factory paint job, even after decades will meet these criteria. Special Surfaces. WHITEWASH. Whitewashes and lime paints must be thin when applied. In fact, best results will be obtained if the application is so thin that the surface to which it is applied may easily be seen through the film while it is wet. The coating will dry opaque, but two thin Coats will give better results than one thick coat. Now, decide WHAT you want to paint. Very important...you do NOT need to know how to draw. That's the great thing about painting, you can create even if you've never had a lesson. Don't get me wrong, art school is great. But don't let the lack thereof deter you from creating. You do not have to have a teacher to tell you how to create. You do need to know a few basic techniques, but from there let your imagination fly! When deciding what to paint, go to some websites about artists or Google famous artists to get inspired. Again, do not let a lack of training deter you from painting! Many of the great artists of the past had no training either. Many can't draw stick figures, but they can paint because the colors give you amazing options of expression! You may also go to my websites mentioned below or Google me to see all the crazy work I've created. My personal preference has been to create a large variety of work to keep it interesting and versatile. I did not want to be that artist who only painted one thing over and over. To me that's boring, and it should be boring to you too. Any known artist of the past has a vast variety of work. You'll also find that it makes it more interesting to you while you're doing it, because you won't ever get bored, you'll always be wondering how it'll turn out.
Fine motor: Beginning to learn to use a pencil before you have developed finger and thumb strength and stability results in a child developing an inefficient pencil grip. When a child has weak thumb stabilisers, he is likely to wrap his thumb around his index finger to try to create greater stability. This makes it very difficult for him to then develop the necessary finger isolation (separate movement of the fingers to give easy, dextrous pencil control). Children who have not yet developed their wrist stability will try to use whole-arm movements to do their drawings and writing and will press very hard. If a child has not developed the bilateral integration (this happens in the brain and is the smooth, efficient communication of the right side of the brain with the left) cutting will be difficult and he will have difficulty writing across his page and reading across a page or school board. Beginning to use a pencil too soon therefore inhibits learning in a formal class setting, rather than helping it. Proper brush technique: When "cutting in" with a paint brush you should dip the brush in paint and tap the sides of the bucket on each side of the brush, leaving a good amount on the brush so you are able to minimize the times you will need to dip/load the brush. Next, take the brush and make a one foot to two foot line down the wall about an inch or two away from the trim or surface you are going to paint up next to, this is much like taking a knife full of butter and spreading it across an entire slice of bread. After, spreading the paint over the section, go back and even the paint out evenly across the section and cut up next to the trim with the brush. You want to paint up next to the trim or surfaced to be cut-in with the paint brush after you have released most of the paint on the wall, it is easier to cut in with the tips of the brush exposed and not loaded with a lot of paint. Are the contours rough or concealed? Always use a sanding block for flat surfaces. Just your hand behind a thin piece of sand paper can leave grooves and low spots. It's also easier on your hands. For inside curves try wrapping the sand paper around a short section of garden or heater hose. This will help approximate the concave curve and help stay away from sanding through hard edges. On hard edges, like the top ridge of a fender or leading edge of a hood, you need to do this by hand. A sanding block will quickly dig right through the paint on a hard edge and take you down to bare metal. This means primer and more sanding.