When it comes to rolling out the walls never ever use a cheap foam roller. Foam rollers never evenly absorb the paint out of the pan and will actually add time to you project and cause more mess. Buy yourself a synthetic professional 3/8 nap roller head for about $6 to $8. Not only will the paint be applied in a smoother fashion you will experience less work and mess. Years ago, paint was paint. One kind looked, smelled, was applied and eventually dried much like another. Things are different now. Besides oil paints, you can choose from a new set of paints. It'll pay you to know about them. • There are water paints you can use outside. (You clean your brushes under the faucet and use the garden hose to get spatters off the shrubbery.) • There are finishes so tough they withstand even attacks from the neighbors' children. • There are paints that dry so fast you start the second coat as soon as you finish putting on the first. • There are colors in glittering confusion. THE BRUSHWORK. Depending on the art movement and personal peculiarities of the artist, the brushwork can range from delicate and almost invisible to rough and plastic.
THE NARRATIVE. First look for the narrative, simply describe what you see. Who or what is depicted, what's going on? If you see people and things, the painting is figurative; if you see lines and splashes - go for non-figurative. The name of the painting might come in handy, especially when it comes to Dali. What seems to be more important for the artist - representation or expression? Compare the paintings in the styles of hyperrealism and expressionism - you can always tell if the images look idealized or expressly distorted. Notice the feelings you get looking at the painting, the general impression produced by the entire painting and its elements - later you will dig deeper to understand what inspired those emotions. There is a reason why you like one painting more than the other. Your taste in art is as unique as your taste in food or clothes, inspired by your background, upbringing and even professional expertise. Today, it is increasingly easy to source ecologically sound paints, as most specialist ranges, such as Ecos, Earthborn, Georgina Barrow and Auro are available via mail order. There is a wealth of colour options in these pre-mixed ranges that include lush shades and muted palettes, reflecting their natural ingredients. Ecos continues to lead the field. It has recently developed Atmosphere Purifying Paint, which absorbs and neutralises volatile chemicals, solvents and VOCs from the atmosphere in a home. Fine motor: Beginning to learn to use a pencil before you have developed finger and thumb strength and stability results in a child developing an inefficient pencil grip. When a child has weak thumb stabilisers, he is likely to wrap his thumb around his index finger to try to create greater stability. This makes it very difficult for him to then develop the necessary finger isolation (separate movement of the fingers to give easy, dextrous pencil control). Children who have not yet developed their wrist stability will try to use whole-arm movements to do their drawings and writing and will press very hard. If a child has not developed the bilateral integration (this happens in the brain and is the smooth, efficient communication of the right side of the brain with the left) cutting will be difficult and he will have difficulty writing across his page and reading across a page or school board. Beginning to use a pencil too soon therefore inhibits learning in a formal class setting, rather than helping it. The perspective. Do you feel the distance between you and the painting? Are you an observer or a participant? The way you feel is dictated by the artistic choice - it's never a coincidence. An artist thoroughly selected the angle: you may look upwards, or downwards, or be at the same level with the objects depicted. If the horizon is at your eye level, the impression you will get is calm, stable. The high horizon will reveal more space, in landscapes it provides a majestic view. Paintings with the low horizon, so common with Dali, are monumental, highlighting the size of the objects and figures. The unusual views of Paris by Pissarro appeared as he painted from the hotel rooms.