THE BRUSHWORK. Depending on the art movement and personal peculiarities of the artist, the brushwork can range from delicate and almost invisible to rough and plastic.
Now here comes the fun part doors and wood work. This is where most people opt to use latex which is a huge mistake. Your home is your biggest investment don't cut corners on it's aesthetics. You want the finish on your woodwork to stand out from the walls especially if you have crown moulding or waynes coating. Don't be fooled by water based products that claim to give the look and finish of oil. It's just good marketing preying on people's fears of painting with oil. Don't believe the hype as those samples they show you have 3 or 4 coats that have been professionally sprayed in a dust free environment. You will not get the same results I can promise you that. You have a choice of semi-gloss or gloss finish. I prefer gloss because to me it gives you a bit more durability and shine. Either one will be fine for your project. Now let's get started.
Akbar (1556-1605) was the one who started encouraging of Mughal artist. After he had consolidated his political power, he built a new capital at Fatehpur Sikri where he collected artists from India and Persia. More than a hundred painters were employed, most of whom were Hindus from Gujarat, Gwalior and Kashmir. They worked under the two Persian master-artists Abdus Samad and Mir Sayyid Ali, but they were encouraged and inspired by Akbar.
Knock down texture is basically a orange peel that is sprayed on and allowed to "set-up" for a minute or two then gently "knocked down" by running a 6" drywall knife over it, "knocking down" the surface of the texture. Although knock down is a flattened version of orange peel, I suggest you do not use a spray can of orange peel, the knock down comes in its own spray can and the results are much better, again experiment before spraying it on the wall. However, If ever you apply any of the textures to the wall and are not satisfied with the results, wash the texture off immediately before it dries, then allow the wall to dry and try it again. Once you have the texture applied to your liking and you have allowed it to dry, you may want to paint the patches a couple of time before painting the entire wall, especially for walls where the paint to be applied will have some sheen. Multiple coats on these areas will make them blend in, unnoticeable, with the rest of the wall. You will know if the patches need more coats of paint, because the patch/texture will have absorbed the paint causing the spot to look duller than the rest of the existing wall.
Thinking skills (cognition): Thinking is a kind of "inner speech". We talk silently to ourselves to think through things and solve problems. Children in imaginative play begin to develop this skill through talking aloud and explaining everything that is happening in the game. (Think of the children playing in the "home corner" in your playschool and how they tell each other what to do and talk to the dolls and teddies). Slowly, as they become more practiced, this talking changes to become "inner speech" (they think it but don't say it out loud). This is a major foundation for developing thinking and reasoning skills.
You're not looking for perfection here, but you do want to eliminate every shiny spot of paint. When properly scuffed the paint should have a smooth, but dull matte finish.
A flat, semi-gloss, or high-gloss finish may be applied to the primed surface. For a flat finish, two coats of flat wall paint should follow the priming coat. For a semi-gloss finish, one coat of flat wall paint and one coat of semi-gloss paint should be applied to the primed surface. For a high-gloss finish, one coat of semi-gloss paint and one coat of high-gloss enamel should be used over the priming coat.