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Now let's proceed to analyzing the center of the composition. There is an optical center in the middle - you will notice that the center of the composition, the major element will never be placed there, otherwise the scene will look artificial. The center of the composition will always be the most striking element, and the rest will just serve to make it more expressive. The artist may use various means to achieve this effect - the color contrasts, light and shade effects, size of objects and distance between them. Secondary elements are depicted with less detail and vigor - they have to bring forward the center, not block it. Notice the way your eyes travel the painting - intuitively you will start at the center and will proceed to the rest of the elements to refine the story.
Even if you don't need to apply a coat of primer before your new coats of paint, doing so will always save you money. Whether you use white or tinted primer, a coat of primer is always more cost effective for one simple reason: It is cheaper! In fact, primer may cost as little as half as much as standard paint. If you get it tinted the same as your paint, then it is cheaper by the coat. If you use white, as in the first scenario above, it will also minimize the number of coats of paint you have to apply. Either way it reduces how much paint you have to buy. Do you want to learn more about maximizing your paint color coverage, minimizing your paint usage, optimizing coats, and perfecting your primer?
Knock down texture is basically a orange peel that is sprayed on and allowed to "set-up" for a minute or two then gently "knocked down" by running a 6" drywall knife over it, "knocking down" the surface of the texture. Although knock down is a flattened version of orange peel, I suggest you do not use a spray can of orange peel, the knock down comes in its own spray can and the results are much better, again experiment before spraying it on the wall. However, If ever you apply any of the textures to the wall and are not satisfied with the results, wash the texture off immediately before it dries, then allow the wall to dry and try it again. Once you have the texture applied to your liking and you have allowed it to dry, you may want to paint the patches a couple of time before painting the entire wall, especially for walls where the paint to be applied will have some sheen. Multiple coats on these areas will make them blend in, unnoticeable, with the rest of the wall. You will know if the patches need more coats of paint, because the patch/texture will have absorbed the paint causing the spot to look duller than the rest of the existing wall.
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So what exactly makes a rose appear "red" or grass appear "green". In the green grass, you are only seeing green because the grass has pigments in it that absorb all colors of the solar spectrum except green. So green is the color that is reflected back to your eyes. The same holds true for the red rose, only the rose absorbs all colors of the spectrum besides red.
Step five: pick your colors and start applying them to your penciled outlined images...make sure to mix the paints with a little Galkyd. Painting right out the tube is probably a bad idea, and it'll take forever to dry. Mix the Galkyd pretty evenly with the paint until you reach your desired thickness of paint. Less Galkyd keeps the paint thick. More makes it thinner. A safe start for a painting subject is a still life, like a bowl of fruit. No matter what you do...within reason...it'll look cool. You do not have to make a twig brown or an apple red just because nature says so. Use your imagination. Do something different. Collectors over time like to watch you evolve painting by painting anyway. So don't worry if your first painting stinks in your mind. It'll be interesting later once you're great. And by the way, most famous paintings have an under drawing, so they've used this layout technique I mention above. Sorry to tell you, most inspired paintings were planned out with pencil first. They did not happen spontaneously. They were built logically and in a defined order so that the end result looks right.
Now that you determined whether you are Warm or Cool, the next step is to determine whether you are Light or Deep. Once again, your eyes, skin tone and hair color are the most important factors in determining whether you are Light or Deep. Eye color is determined by whether your eyes are on the darker side or lighter side. If your eyes are light blue or green, then you are Light. If your eyes are dark brown or black then you are Deep. To determine your skin tone think of the following: if you are Light, your skin tone does not tan well and you either have fair skin or porcelain skin. If you are Deep your skin tone tends to tan well, think of a rich complexion.
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