Now let's proceed to analyzing the center of the composition. There is an optical center in the middle - you will notice that the center of the composition, the major element will never be placed there, otherwise the scene will look artificial. The center of the composition will always be the most striking element, and the rest will just serve to make it more expressive. The artist may use various means to achieve this effect - the color contrasts, light and shade effects, size of objects and distance between them. Secondary elements are depicted with less detail and vigor - they have to bring forward the center, not block it. Notice the way your eyes travel the painting - intuitively you will start at the center and will proceed to the rest of the elements to refine the story. The lite version of Galkyd is simply thinner. I use it more than the other. I love it. Paintings I did 16 years ago using Galkyds look as pristine as the day I painted them. You'll also need a canvas and some paint. I buy a tube of red, green, blue, purple, yellow, brown, white and black. I prefer what's called Ivory Black and a soft mixing white as you'll add white to a lot of different colors to make lighter versions. From these basic colors you can make any exotic color by mixing them in combination's. Be creative and experiment. And don't be afraid of color, because color is the most popular in museums! The bright paintings are historically the crowd favorites. As for color variety from these basic colors, mix red and white to make pink, mix yellow with green to make lime green, white with blue to make light blue, white with black to make gray, etc. Use your common sense and play with it! You'll also need pencils, an eraser and some Turpentine or Turpentine substitute. Keep your brushes soaking in it in a plastic cup to keep them clean and ready for your next color choice.... and to keep them from drying out. When you plan with split complementary colors, you begin with a single reference color. Next, choose a color from either edge of the complementary color and use it. While the complementary color scheme is a little more obvious, this scheme can fail totally if you just use paler versions of your warm colors. By the same token, picking a a warm undertone for the main contrasting color and combining it with two cool tones will showcase the warm tone.
The leading brands now flag up paints with lower VOCs and produce paints that are virtually odour-free - the Breatheasy range by Crown is one example. Most leading brands now produce high-quality water-based acrylic paints which outperform the older technologies of vinyl and oils. CONCLUSION. Once again go through the images and the story of the painting. Was your first impression different from what you see now? Take a 5-minute online test to explore your preferences in fine arts. In 5 minutes you will confidently say "I prefer impressionist cityscapes", or "This room calls for a color field painting", "I need to have an art nouveau nude in my bedroom" - and you will know what you are talking about! Traditional Paints. Available from specialists such as Farrow & Ball and The Real Paint & Varnish Company, lime wash and distemper paints can be useful for restoration projects, although some of the contents are potentially hazardous and can irritate eyes and skin. Use the modern equivalents where possible, as these are usually safer and more effective. If you are an Autumn (Deep and Warm), your colors are as crisp and colorful as October leaves and have orange and gold undertones. Autumn women look amazing in terracotta and rust colors. But should avoid wearing colors in pastel shades such as pink, gray and sage. The best colors, when it comes to accessories are in the shades of gold, bronze, copper, amber, and jade.